The Old Man and the Sea

I just finished reading Ernest Hemingway’s little book The Old Man and the Sea for the first time in my adult life. I’m sure I had to read it in high school but remember nothing of the experience. I can imagine, however, the average student of that age saying, “We had to read this stupid story about this stupid old man and his stupid fish. It was all so stupid.”

And maybe for the young, it is. But not for those of us who have lived a bit more. It’s of course a story about a poor old fisherman in Cuba that was first published as a book in 1952 and won a Pulitzer Prize, as well as being cited in Hemingway’s Nobel Prize for Literature citation awarded two years later. First printed as a magazine article in Esquire many years before, it has haunted readers for each decade since.

The old man, Santiago, seems to have run out of luck. He’s in a dry patch. He has not caught a fish in 84 days. But he’s determined to go out and catch a big one. So he ventures out in his little boat much farther than is normal, out to where the biggest fish may be found. And after a time, he eventually hooks a huge Marlin who pulls him and his small boat farther away from land for three dqys. They fight and struggle and all the old man’s knowledge and skill are put to the test. Can he have the success of which he has dreamed? Can he endure all that is required? It's hugely difficult, but the answer is yes. The fish finally succumbs and is lashed to the boat and the old man heads back toward land with dreams of the glory and the needed practical income that will result from such a huge and perfect specimen, bigger than anyone has ever seen. It may even be a life changing accomplishment.

But the old man is out on the water alone. He has not brought along the strong boy who is his friend and who often accompanies him on fishing trips. During the extended struggle with the giant fish, he often wishes he had brought the boy with him to help. Another pair of hands could have been so useful. But he struggles mightily and prevails all alone and is glad. Yet, his solitary success is quickly followed by a new challenge. Sharks descend on the huge Marlin he has caught and the old man is limited in what he has with him to use to defend the catch. Thinking of something he could have brought with him, and should have brought along, he finally says to himself words that flow down the decades and into all of our lives:

Now is no time to think of what you do not have. Think of what you can do with what there is. (83)

When life hands you lemons, make lemonade. Or if you forgot to prepare for your adventure with sugar and water, is there at least some vodka around that you could use?

Santiago fights the first shark that attacks with a harpoon. After losing it, he lashes a knife to an oar and does battle with the next sharks who come. When that’s also gone, he begins to club at the predators. And eventually he is out of options. The thieves of the sea take more and more chunks out of his magnificent catch until there is nothing left but the spectacular spine and bones as a trophy of success and testimony of subsequent failure. He has lost what he had fought so hard to gain.

When he returns, exhausted, demoralized, bruised and cut up, he sleeps and the boy takes care of him. After they talk, the boy says: “Now we fish together again.”

The old man replies, “No. I am not lucky. I am not lucky anymore.”

“The hell with luck,” the boy said. “I’ll bring the luck with me.” (92)

And then they begin to discuss what they will need to bring along with them to be properly prepared for anything they might face together.

And that’s a perspective and trajectory we all need. Great effort is sometimes followed by failure. Even great success can wither on the vine. Don’t let disappointment stop you, however deep and desperate it might be. And never just wait for luck. Bring the luck with you. Take action. Partner up with someone who can help boost your spirits and aid your cause. Prepare. Move forward once more. Remember: There is always a new dream and a new chance and many fish in the sea.

For the book, click HERE.

The Arts, The Humanities, and Business Success

When young people study the Arts and Humanities, they can prepare themselves in deep, untold and currently unappreciated ways for a successful business life.

The Arts: Every art involves complexity and mastery, two of the deepest features of any highly accomplished business life. We can think of a painting as a solution to a problem—or better yet, as thousands of solutions to thousands of problems. When it embodies Truth, Beauty, Goodness, and Unity, it succeeds best. And this is true of a business, or a business deal. The same is also true of a piece of music, a dance, or a sculpture. Art hones many intellectual qualities and personal traits like perseverance in the pursuit of perfection, or even happy imperfection.

The Humanities: Let's begin with what's broadly called literature, encompassing poetry and prose, short stories, essays, and novels. Let's even throw in the best of film. When we study great literature, we can prepare ourselves for deeply satisfying business success. First, in reading well-told stories, we learn to tell stories well. And there's nothing more important in business life than telling powerful stories about what we're doing, want to do, and can possibly do. One famous film producer, Peter Guber, has said in his delightful book "Tell to Win" that during his career, whenever he went into a meeting with facts and figures, he never got what he wanted, but whenever he showed up with a great story, he got everything he wanted and more. Secondly, we come to understand character more deeply through the lens of a masterful story. Great literature is full of cautionary tales for leaders and high achievers: Gilgamesh, Beowulf, Don Quixote, Frankenstein, Moby Dick, and Jack London's Sea Wolf, among many others. And in these tales of greatness and tragedy, we see the truth of what Heraclitus said long ago, "Character is Destiny."

History: Of course the lessons here are obvious. The long-term link between character and excellence throughout the course of our world up to now, The Law of Unintended Consequences, from even the most modest decisions, the balance of risk and reward that attends any bold action, the inevitable mess that arises from wild interventionism, and the catastrophes that democracy is intended to prevent.

Psychology: Coming more deeply to understand what motivates people just might be the most important key to business success. It's crucial for forming more positive relationships, building a great business culture, and diagnosing what can go wrong between people. The recent turn to positive psychology has provided us with new tools for excellence in everything we do.

Philosophy: As a philosopher, what can I say? When young people encounter the best of world philosophy, they learn about belief and skepticism, appearance and reality, love and purpose, evidence and folly, wisdom and virtue. They prepared themselves for a deeper and more lasting form of success in whatever they do. And the same is true for older people. The more we learn the insights of the great practical philosophers and use them relentlessly, the better we can be at anything we do. The truth of this has been on display in the talks I've given to business groups over the years, at this point far surpassing a thousand. One company has had me speak more than sixty-five times, offering me for each of those hours more than my annual salary once was at Notre Dame. Why would any business do such a thing? Because of the fact that they see the great value of philosophy. You can't have a great business without great philosophical foundations.

Life While-You-Wait

Today I just want to share a powerful and profound short poem by Nobel laureate Wislawa Szymborska (1923-2012). It comes from her book Map: Collected and Last Poems. I came across it on www.brainpickings.org, one of my favorite websites. Read it twice if you can. The last two lines are particularly striking, in the context of the poem, and of our lives. I do grieve for some of what I will forever have done. Perhaps you do, too. But there is an alchemy that can redeem and reweave even our worst into a different and never expected best.

LIFE WHILE-YOU-WAIT

Life While-You-Wait.
Performance without rehearsal.
Body without alterations.
Head without premeditation.

I know nothing of the role I play.
I only know it’s mine. I can’t exchange it.

I have to guess on the spot
just what this play’s all about.

Ill-prepared for the privilege of living,
I can barely keep up with the pace that the action demands.
I improvise, although I loathe improvisation.
I trip at every step over my own ignorance.
I can’t conceal my hayseed manners.
My instincts are for happy histrionics.
Stage fright makes excuses for me, which humiliate me more.
Extenuating circumstances strike me as cruel.

Words and impulses you can’t take back,
stars you’ll never get counted,
your character like a raincoat you button on the run —
the pitiful results of all this unexpectedness.

If only I could just rehearse one Wednesday in advance,
or repeat a single Thursday that has passed!
But here comes Friday with a script I haven’t seen.
Is it fair, I ask
(my voice a little hoarse,
since I couldn’t even clear my throat offstage).

You’d be wrong to think that it’s just a slapdash quiz
taken in makeshift accommodations. Oh no.
I’m standing on the set and I see how strong it is.
The props are surprisingly precise.
The machine rotating the stage has been around even longer.
The farthest galaxies have been turned on.
Oh no, there’s no question, this must be the premiere.
And whatever I do
will become forever what I’ve done.

Luck and You and Me

Are you lucky or unlucky? It just might be that this doesn't really matter - unless, of course, you're in Vegas, like I am today. Believe it or not, philosophy often happens here. Maybe even more often than good luck.

Let me quote Diane Ackerman, from her great book Deep Play, where she is exploring how even our hardest work can be undertaken as a form of play. While pondering the role of something like luck in the game of life, she refers to an ancient text and writes: 

"In the Sanskrit Mahabharata, for example, we find men, who represent the seasons, deciding the world's weather and crop yield by rolling gold and silver dice. But, aside from luck or the favor of the gods, the player succeeds by his or her own talents." 

What does she mean by 'luck' here? Maybe anything beyond human choice, the force or cluster of forces that brings things into our lives apart from our own contrivance. You could equally speak of fate, or destiny, or divine providence. But for the sake of understanding Ackerman's remark, let's stick with luck. Then, we can articulate what I take to be her insight. We can say it a number of ways.

Luck sets the course. We decide how to play it.

Luck arranges the obstacles. We figure out how to move around and through them.

Again, perhaps: 

Luck paves the road. We choose how to travel it.

We all have challenges. Everyone has opportunities. Sometimes, one situation is both. And, viewed properly, the world presents much more of this duality than you might imagine. An opportunity turns out to be, also, and perhaps unexpectedly, a problem. A problem is revealed, in the end, to contain an opportunity. This happens all the time. I like to think of this phenomenon as a turnaround. Things that come into our lives can be, ultimately, quite different from what they at first seem. It's up to us how to react, respond, and rearrange our expectations.

Of course, luck is also often referred to as chance. And there's an ancient perspective on this. Chance favors the prepared mind, the skilled hand, the creative spirit, and the person with lots of great relationships.

We need to remember, the world isn't here to give us what we want, but to help make us into what we can be. And I, for one, could use a little help.

What luck!

Nerves and Performance

I was watching The Voice on NBC, and right before a commercial, there was a shot of one of the performers backstage and someone was messing with his microphone and his hair, and it made me remember all the many times I've been backstage, ready to step out in front of 2,000 or 3,000 or 5,000 or 10,000 people, and someone has been readjusting a microphone or straightening my jacket or otherwise tugging at me, and asking "Are you ready?" And I've said "Yeah, I'm ready" and I've thought, "I was born ready. I can't wait to do this." There may be flutters and an elevated heart rate backstage, but I'll only be getting ready to have a great time.

Years ago, when I felt my heart rate go up, I used to think "Uh, Oh. I'm getting nervous." Then, one day, it occurred to me to say to myself, "Good. I'm getting ready." There is an energy to being ready. Most interpret it as nerves. A few see it as preparation, readiness, the fuel of excellence. Good things can happen when we're ready. Sometimes, even great things.

So, the next time something big is about to happen, and everybody else is fluttering around and you feel your heart beat increase, smile within and say to yourself, "I'm getting ready. This is going to be great!" And, then, more likely, it will be.